Babban fashion - mece ce?

An yi amfani da kalmar "babban couture" a cikin tattaunawa game da tufafi na kwarewa, amma menene ma'anar? Da farko, wannan shi ne adadin kayan ado na musamman. Waɗannan su ne abubuwan da aka sanya don takamaiman abokin ciniki da hannu, daga tsada masu tsada, tare da kulawa na musamman ga wasu bayanai. Wannan aikin yana buƙatar aikin masu sana'a na matsayi mafi girma kuma yana ɗaukar lokaci mai yawa.

Babban salon samo asali ne a cikin karni XIX a birnin Paris. Charles Frederick Worth ya haifar da sabon falsafar yin tufafi. Ya buɗe gidan farko. Sa'an nan kuma akwai wasu, kuma daga cikin mata daga ɗalibai na sama, ya zama daɗaɗɗɗa don yin tufafin tufafi daga irin masu zane-zane.

A shekara ta 1868, Worth da 'ya'yansa maza suka kirkiro Paris Chamber, wanda har yanzu yana nufin gidajen da ake kira "High Fashion". Bugu da ari, a 1946, 106 gidajen wannan hukuma sun bayyana cewa sun dace da dukan ka'idodin da majalisar ta kafa a 1945.

A shekara ta 1952, lamarin ya ragu sosai - zuwa 60. Wannan shi ne saboda tasirin yakin duniya a kan wannan masana'antu - kayan masarufi sun fara kawar da samfurin sarrafa kayan aiki. A hankali ya zama kamar mutane da yawa cewa ba kome ba ne don yin tufafi na al'ada. Yanayi ya zama sauƙi, kuma Paris ya buƙaci ya zo tare da hanyar da za ta kiyaye babban salonsa. Saboda haka a maimakon House a 1973, Tarayyar Faransanci ta bayyana don kiyaye duk al'ada. Wannan kungiya ta bayyana wurin da lokaci na shahararren samfurin Faransa na duniya.

Wannan ƙungiyar tana riƙe da muhimmancin gaske kuma ya ci gaba da adana al'ada, inganta su da kare iyalinsa. Har ila yau, ya kafa ma'auni nagari. Matsayi na Chamber ya nuna cewa kawai mambobi ne, wadanda ake sabuntawa a kowace shekara, zasu iya tsara kansu a matsayin gidaje na gidaje. Hakki na ci gaba da girman kai mai suna "High Fashion" an ba wa mambobi ne na Chamber wadanda suka kiyaye dokoki masu zuwa:

• Dogon kusa da gidan ya kasance a Paris, inda akalla mutane 15 ke aiki kullum;
• Ana sa tufafi don masu amfani masu zaman kansu, tare da kayan aiki ɗaya ko fiye;
• Sau biyu a shekara wannan gida ya kamata wakilci Paris ta buga tarin da ke kunshe da hotuna 35 kuma mafi (maraice da yamma).

Bayan gabatarwar wadannan ƙuntatawa, ƙididdigar gidajen gidaje sun ƙi 18 zuwa shekara ta 2000. A shekara ta 2002, bayan Yves Saint Laurent ya yi ritaya, ya rufe gidansa, akwai 12. Wa anne gidajensu ne: Anne Valerie Hash, Adeline Andre, Chanel, Atelier Gustavo Lins, Christophe Josse, Kirista Dior, Givenchy, Franck Sorbier, Maurizio Galante, Jean Paul Gaultier, Giambattista Valli da Stephane Rolland.

Har yaushe za a iya samun Ƙungiyar Yankin Faransanci tare da irin ƙananan gidaje? Abubuwan da suka bambanta da samfurori sune mahimmanci ga masu amfani, amma magoya baya suna tsufa a gidajen. Matasa mata da suke iya iya samun "kayan tsabta" sun fi dacewa su fi dacewa da tufafin da suka dace da kayan dadi. Amma duk da wannan, a kowace shekara ne mako guda na babban zane a Moscow, ta haifar da sha'awa mai ban sha'awa daga dan jaridu da jama'a.

Don yawan adadin sauran gidaje, matsayi na da muhimmanci kawai ga daraja, yayin da manyan shaguna suna nuna damuwa sosai. Hotunan 4 mafi girma - Dior, Chanel, Gaultier da Givency - yi amfani da matsayi a matsayin kayan kasuwanci wanda zai inganta sayarwa na tarin, kayan haɗi da turare.

Amma idan ka tashi daga shafuka, babban salon har yanzu yana da dacewa - kayan ado na kayan aikin hannu suna sake jin dadi. Kodayake gidaje masu tsabta sunyi la'akari da cewa a yau ba su ne kawai tushen wannan tufafi ba, kuma suna buƙatar yin gasa tare da wasu masu samar da kayan.