Matsayin - jumla a cikin m rayuwa? harka tarihi

Ko da a cikin sau na zamanin d Girkanci wasan kwaikwayo akwai wani rabo a cikin wasu iri haruffa. Saboda haka akwai rawar da actor - da kasafi na matsayin daidai da na waje data, tare da sakamakon cewa har zuwa karni na karshe lifelong mummers aka tilasta aiwatar daya kawai image.

A zamanin d Girka, ban mamaki ayyukan da aka kasu kashi biyu main iri: bala'i da comedy. Haka kuma, da kuma rarrabe iri biyu 'yan wasan kwaikwayo - bala'i da Comics. Contact tare da wani rukunin da aka fi mayar da m ta ba wasa style, da kuma na waje data na actor. Thespians zama mutane, aka halin high girma, da kyau-gina adadi, tare da low sautin na murya. Su gaban - jefa low kuma cika, magana a cikin wani babban murya. Suna iya yi kawai comic matsayin.

na da Italian commedia dell'arte kumbura tsoho images, kuma Ya halitta wani sabon rawa. Wannan bawan, Gentlemen, kuma gwarzo-lover. A rarrabe da commedia dell'arte - fata mask, wani m sifa wani hali. A farkon Theatrical aiki kowane actor zabar wani mask, sa'an nan kusan duk rayuwarsa taka leda daya kawai rawa. Wasan kwaikwayo masana tarihi akwai fiye da ɗaya da ɗari daban-daban masks, amma mafi yawansu ba su mallakar guda haruffa cewa bambanta da juna kawai da sunan kuma cikakken bayanin. Mata matsayin 'yan wasan kwaikwayo yi ba tare da yin amfani da masks.

A XVII karni, a zamanin da na gargajiya Faransa wasan kwaikwayo ci gaba kafa asali dorewa hanya a wasan kwaikwayo da kuma kulla matsayin for 'yan wasan kwaikwayo na wasu psychophysical data. A wannan lokaci, akwai manufar rawa - shi ne a wani ajali wanda ya faru daga Faransa kalmar "emploi", wanda fassara a matsayin "rawar", "wuri", "yin amfani da".

Domin samun da rawa, da actor dole ne hadu a wasu sa na da bukatun, tsakanin wanda, kamar yadda a zamanin da, adadi tsawo, gina, sautin na murya, fuska irin. Amma rawar - shi ne ba kawai bayyanar da hali, amma kuma declamatory da kuma roba halaye, halayya line. The mulki daga rawar zuwa wani ba huska kan, don haka, kamar yadda a na da wasan kwaikwayo, da 'yan wasan kwaikwayo a ko'ina ya Theatrical aiki, taka leda rawar da monotonous, inganta da basirarsu da kuma kokarin kara harafin zuwa wasu zest. The kawai togiya ne rawar da shekaru, wanda ya bi wani translation na wasan kwaikwayo da shekaru 'yan wasan kwaikwayo.

A Faransa wasan kwaikwayo a XVIII karni rawar da actress kamar ingénue - m, amma butulci da kuma sauki shiryayye yarinya. Heroes boys kamar halin kira simpletons. Soubrette (namiji version bawan) ya bambanta gaiety, babbar sha'awa da kuma m disposition, sau da yawa wannan hali yana da nasu Masters invaluable taimako a cikin soyayya al'amura. Akwai manufar transvestites - game da gagarumin cewa mace rawar da aka buga da wani actor, wani mutum, da kuma mataimakin versa.

Kuma 'yan wasan kwaikwayo sun taka duk rayuwata guda rawa, ko a cikin karni na karshe Konstantin Stanislavsky da kuma Michael Chekhov sanya wata sanarwa cewa Theatrical rawa - ta mutu, wanda dagula ci gaban aiki da basira, ba su bar shi bayyana kanta sosai. Irin wannan ra'ayi da aka samu da kafirci, amma a yanzu, kallon da ban mamaki zamani reincarnations na 'yan wasan kwaikwayo, mun ga cewa cikin manyan darektocin sun dama.