Minuet wani dance ne na baya, wanda ya zama babban ga sabon kiɗa

Minuet dance ne na sarakuna. Wannan shi ne yadda ya kasance a cikin shekarun baya, kuma babu abin da ya canza a yau. A cikin zamani duniyar kawai masu fasaha na fasaha sun san game da wanzuwar irin wannan rawa, kuma daga baya, daga cikin jama'a, ya tafi ba tare da izini ba. Minuet wata rawa ce ta ƙunshi raƙuman motsi, ƙananan matakai, kyawawan kwarewa da ƙuƙumma. Kuma don mu shiga cikin baya da kuma gano ainihin yadda kakanninmu suke hutawa a bukukuwa, zamuyi nazarin cikakken tarihin da dukan siffofin minuet.

Asalin jinsin

Native wuri na minuet yana dauke da tarihi yankin na Faransa, Brittany. Akwai ya wanzu tare da sauran jama'a raye-raye, wanda, duk da haka, da aka yi a aristocratic da'irori. Dalilin haka shi ne cewa kawai ma'aurata sun koma da kyau, suna yin matakan ƙananan matakai. Hakika, irin wannan aikin yana tare da waƙar mota mai sauƙi. Ko da a wannan lokacin, an riga an riga an yi amfani da minuet na Faransanci na yau da kullum tare da wani nau'i - ¾. Yawancin mawallafi sun rubuta aiki musamman ga wannan rawa ko kawai ingantawa a lokuta masu ban sha'awa da bukukuwa.

Gabatarwar rawa a cikin manyan mashahuran jama'a

A farkon 17th karni, wannan ban mamaki sabon abu na gargajiya sami Sarkin Faransa , Louis XIV. Shi ne wanda ya yi shela ga dukan ƙasar cewa minuet ta zama rawa. Labarin ne da ke ba da labari a duk garuruwan nan, kuma a kowane kotun majalisa ya fara kashe wasu mutane da ke kusa da sarki, masu ƙidayar, barons da sauran masu daukan sunayen sarauta. Bisa ga gaskiyar cewa a cikin shekarun 17-18 a dukan Turai har ma a Rasha akwai wata hanyar komai na Faransanci, wannan sabon nau'in ya sami babban matsayi tare da dukan kotu masu daraja. Minuet ya a cikin ni'imar da Bitrus Babba, wato, a St. Petersburg da kuma Moscow, ya taka leda a Poland, a UK. Shahararren rawa ba ta cigaba ba har zuwa tsakiyar karni na 19, yayin da ba a da sauƙi ta maye gurbinsu ta hanyoyi masu mahimmanci da maƙama.

Tarihin tarihi na rawa

A lokacin alfijir ta wanzuwar motsa jiki ya kasance mai sauƙi, amma matakai masu kyau. Masu aikatawa suka yi curtsey, ƙaddara ba; Suka koma a cikin ɗakin, sai suka kusanci juna, sa'an nan suka yi ritaya. Saboda haka, an yi tunanin cewa motsa jiki ba dance bane, amma gayyatar, mai karfin gaske, mai ladabi da kuma kirki. Ya lura cewa kawai guda biyu sunyi shi. Wato, baƙi suka juya suna raye-raye - farko mutanen da suka fi sananne, to, duk sauran. Bayan da rawa ya zama faɗar ƙasa a Faransa da kuma bayan haka, ƙungiyoyi sun zama mafi wuya. Yana da mahimmanci don aiwatar da matakai a gefe da gaba tare da cikakkiyar daidaito, don haka gina ɗakunan. Har ila yau, akwai wata muhimmiyar mahimmanci na metamorphosis. Tun daga karni na 17, minuet wani rawa ne da duk baƙi ke yi a yanzu. Na farko sun kasance sarakuna, Dauda suka bi tare da sahabbai, da kuma sauran masu bi. Duk masu wasan kwaikwayo a lokacin raye suka kasance a cikin wasu lambobi. Mafi yawancin lokuta sune harufa "Z" ko "S".

Baroque Age

A wannan lokacin, minuet yana fama da manyan canje-canje. Halinta yana ci gaba da sauri, zama mafi mahimmanci da kuma rashin daidaituwa. Idan a baya an yi rawa rawa a kan ¾, yanzu zuwa girman wannan bambancin - 6/8 an kara. A zamanin da Baroque minuet - shi ne mai dance cewa aka yi a lokaci guda kuma mafi yawan baƙi. A lokaci guda kuma, dukkanin ƙungiyoyi zasu cika su ba kawai ba, amma hargitsi, kwarewa, halayen. Domin ya jaddada irin wannan dabi'ar "gagarumar" ta rawa, mutane suka canza abokan. Yana da muhimmanci in jaddada cewa a lokacin da shekaru da shahararsa ta Baroque ya bayyana da farko gargajiya m masu raka ga dance. An raba su kashi uku da lambar. Na farko an yi magana biyu, na biyu - uku, a cikin kashi na uku na motsa jiki daga farko aka maimaita. Lamfin ya ƙananan kuma dole ne an buga shi a majeure.

Hanyoyin nazarin dance

Abin ban mamaki ne, amma saboda duk abin da yake da kyau na aikin minuet, an yi nazarin shi a cikin shekaru. Yara daga ƙananan shekaru an koya su don motsawa yadda ya dace, suka bunkasa filastikinsu, alheri. Kowace sauye-sauye, kowane mataki an sake gwada shi da cikakken daidaituwa, saboda kowane motsi a cikin wannan rawa ya kamata ya zama mai sauƙi, kamar ingantaccen abu, kuma a lokaci ɗaya bayyana, mai amincewa, daidai da sauran. A gaskiya, ya kamata a lura cewa minuet wani rawa ne mai wuyar gaske ga maza da farko. Sun buƙatar cire hat ɗin, to, kamar dai a cikin wani motsi, don lalata matar zuwa ga rawa, to, ba tare da katse wannan "numfashi" ba, ya mayar da ita a kai.

Kamar yadda duniyar duniya ta rubuta

Minuet a cikin kiɗa ba kawai ƙa'idodi ne don rawa ba, wanda yana da wani kari da kuma dan lokaci. Wannan wani nau'i ne mai rarrabe wanda ya kasance tare da sonata ko mai gabatarwa. Da farko, ya kasance a matsayin nau'i nau'i kuma an yi shi a kan harpsichord ko clavichord. Daga baya sai ya zama wani ɓangare na wajibi na kayan aiki. Lokacin da shahararrun ya fara samo irin sauti kamar wasan kwaikwayo, minuet ya zama ɓangare na farfadowa. A cikin karni na 18th an riga an fara fara saitin su. Lambar farko dole ne a rubuta shi a manyan, kuma a biye da raye a cikin ƙananan.

Sau da yawa wannan rawa ya canza tare da wasu, inda frets kuma ya bambanta. Daga cikin mawallafi wadanda suka rubuta kiɗa a irin wannan nau'in, yana da daraja a ambaci IS Bach. Tare da shi ya aiki Handel, J.-B. Lully da sauran mawallafi na zamanin Rococo. Daga baya, mawallafin zamanin Romantic sun rubuta rubutun minuets. Sun kasance Beethoven (a cikin bayaninsa ya kira minuet "scherzo"), Gluck, Mozart, Satie, Debussy. Irin wannan nau'in ana samuwa a cikin ayyukan rukunin Rasha: Tchaikovsky, Glinka, Rubinstein, da sauransu.