Vereshchagin hoto "Apotheosis na War" da kuma ta bakin ciki unhistorical

Rasha artist Vasily Vereshchagin ya taba a cikin ni'imar da shugabanni. Dalili shi ne bayyananne: maimakon depicting yaƙi scenes a cikin style of fada, inda da m sojoji a sabon kayan ɓarna ne ga yaki, da kuma foppish generals a kan prancing dawakai da-ciyar, ya fizge fama, devastation, raunuka da kuma mutuwar. Da yake profeessionalnym yaki, da artist ya a 1867 a Turkestan. Mallaka Rasha sanar da wani irin kãmu na yankuna da kuma "lallasad" da 'yan asalin mutane, don haka da cewa yalwa da Vereshchagin gani isasshen gawawwaki. Ya mayar da martani ga rikicin makamai kamar yadda irin wannan, aka zanen "The Apotheosis na War."

An yi imani da cewa zanen da aka yi wahayi zuwa da m danniya na yunkuri na Uighurs a yammacin kasar Sin. A cewar wani version, ta yi wahayi zuwa da labaru na yadda mai mulkin Kashi kashe dubban mutane da kuma saka su a cikin kwanyar pyramids. Daga cikin su kasance a Turai matafiyi, wanda shugaban da aka lashe saman wannan mummunan tudun ƙasa. A farko, da zanen "The Apotheosis na War" da aka kira "Kawasaki na Tamerlane", amma a kusa da hujin harsashi, a tsarin kwanyarsu babu makawa aika daga kula viewer a wani lokaci daga baya. Bugu da kari, tsakiyar zamanai don kore da mafarki na wani rubutu wanda a artist sanya a cikin firam: "Dedicated to duk mai nasara - da, yanzu da kuma nan gaba."

"Apotheosis na War" sanya wani dismal ra'ayi a kan high-jama'a masu sauraro a Rasha da kuma kasashen waje. Mallaka Kotun dauke da wannan kuma sauran yaƙi zane-zane na artist discrediting Rasha sojojin, kuma daya janar daga Prussia ko da rinjayi Alexander II a ƙone dukan zane-zane Vereshchagin yaki, domin suna da wata "sosai detrimental sakamako." Saboda wannan, da ubangijinsa ayyukansu ba a sayar ba, amma da wani majiɓinci, Tretyakov sayi dama zane-zane daga Turkestan jerin.

A cikin "Apotheosis na War" zanen dake nuna wani tudun na mutum kokon a bango babbake steppe zuwa ga ƙasa. kango na gari a bango kuma kwarangwal na ƙona itatuwa gaba da irin halaka, kufai, mutuwa. Cloudless, blue sama haskakawa kawai exacerbates azzaluman ra'ayi na yanar gizo. Yellow canza launi, wanda za'ayi da samfurin, da kuma baki cara circling a kan wani tari na kokon, kamar sa mu ji ba mu zuwa karkashin iskar rãnã, surkin jini wari. A hoto haka, ana riskarsa kamar Misalin yaki, wani yaki, shi ne bayan lokaci da kuma sarari.

Wannan ba shine kawai zanen munin yaki, wanda ya rubuta Vereshchagin. "Apotheosis na War" za a iya kira da kuma na biyu hoto, abin da ya bayyana kadan daga baya, lokacin da artist sanya wani tafiya zuwa India. A lokacin, Birtaniya mulkin mallaka gilla mur da tawaye Sepoys. Don dariya a Hindu imani game da dispelling ƙura a alfarma kogin ganges, su suna daura da adadin insurgent bindigogi da kuma su harbe su foda cajin. Zanen "The English azãba a India" da aka sayar a New York, mai zaman kansa mutum a gwanjo da kuma ya tun rasa track of shi.

Abin baƙin ciki, ta zamani, mutum ne don haka saba wa tashin hankali da asarar rayuka da ke faruwa kullum a duniya da taro kisan bã kõme ba ne sabon. Don ƙirƙirar "Apotheosis na War" Vereshchagin da kawai 'yan tsarin kwanyarsu, wanda ya fentin a hanyoyi dabam dabam. Amma a Cambodia , da Khmer Rouge , a yi, kusaci da artist sake ƙirƙirarsu. Vereshchagin bai san abin da ya yi dala na mutum shugabannin sun kwari, da kwanyar dole ba ƙananan muƙamuƙi. Duk da haka, da mugayen hakikar karni na ashirin da sanya mana duk bakin ciki "masana" a cikin wannan harka.